This gallery contains 1 photo.
The compelling narrative and composition of Karin Broker‘s photo-etching is created, at least in part, by collaging other prints from a variety of historical sources. This image recycling has a rich past, as exemplified in the work of Max Ernst and Hannah Höch. … Continue reading
This gallery contains 2 photos.
The AP/RC directs most of its attention to collecting, cataloging, archiving and preserving prints by contemporary artists. In an attempt to expand and enrich contexts for this work, we also direct some of our resources toward collecting historical prints, primarily … Continue reading
This gallery contains 2 photos.
I have been working with AP/RC materials received from Eldon “E.C.” Cunningham’s widow, Allison, for several months. This has been an interesting challenge, demanding that I reverse engineer specific links among art works, printing plates, notes, mylars, drawings, proofs, and other … Continue reading
This gallery contains 1 photo.
Kathryn Maxwell’s print is thick with colored paper pulp and collaged parrots; all of these elements have been pressed and then other parts of the print were relief printed. The print’s borders include a series of iconographic elements such as minarets, moons, … Continue reading
This gallery contains 2 photos.
A 5,000 mile drive in late May through Oklahoma, Colorado, Wyoming, Idaho, Nevada, Arizona and Utah yielded a cornucopia of prints that cascaded from the studio of Wayne Kimball in Springville, Utah. I had been corresponding with him for several years … Continue reading
This gallery contains 2 photos.
Ron Fundingsland lives in a small town in southern Colorado. In a converted chicken coop at the north end of his backyard he turns out deliciously textured and probing intaglio prints. This summer Ron donated 23 prints, increasing his AP/RC … Continue reading
This gallery contains 1 photo.
Artist Printmaker/Photographer Research Collection ● AP/RC ● Art Division of the Museum of Texas Tech University 