This gallery contains 44 photos.
Vaughn Wascovich’s images of Cleveland bridges (Bridging Cleveland) and of rural eastern Texas (Hard Times) exploits the shifting essentials of pin hole photography–focus, resolution and texture–and then mediates them with 21st century digital printing techniques. The saturation of ink by … Continue reading
This gallery contains 37 photos.
Julie Speed recently began an archive of her prints dating from 2000 to the present. Most of Speed’s etchings have been printed at Flatbed Press in Austin, TX and in collaboration with Fran Christiana, who organized the artworks that the … Continue reading
This gallery contains 76 photos.
A long-time supporter of the Museum of Texas Tech University, William Davies, donated through his estate 80 woodcuts and wood engravings by Willard Clark (1910-1992). Davies had collected most of these prints between 1990 and 2010. Willard Clark, born in … Continue reading
This gallery contains 25 photos.
Randy Bolton has been making prints for some four decades. Somewhere in the early stages of that trajectory he absorbed and refined a sensibility toward historical precedent. Evoking the European origins of printmaking, he embraced a keen sense of the … Continue reading
This gallery contains 12 photos.
Better the artist’s words than ours, here are excerpts that Coleman penned: My work once found its origin in current events…more recently it has evolved into a blanket description of the apocalyptic world in which we live. Police brutality, racial … Continue reading
This gallery contains 89 photos.
Joseph Labate, currently professor of photography, served as chair of the University of Arizona photography area from 1996-2014. His role at that University coincided with the increased availability of digital cameras and his dogged pursuits in digital photography. Labate got … Continue reading
This gallery contains 8 photos.
The AP/RC received a generous donation from the artist of 46 original drypoints and linocuts that date from 2000 to 2010. Like a variety of printmakers who use relief matrices, Judy Youngblood tends toward printing combinations or select elements of … Continue reading
