New Miscellany Page Added

New Miscellany Page Added

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New Additions to the AP/RC: Sandra C. Fernandez

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Sandra Fernandez’  print stands as witness to the persistent human exchanges that characterize the border between Mexico and the United States. On a background from a United States Geological Survey map of the El Paso Port of Entry (with Ciudad … Continue reading

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New Miscellany Page Added

9 Intaglio Prints from Drawer #1112

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Random Print of the Week #3939

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This week’s random print is a small piece of newsprint with color tests and numbers. By itself it says very little. But this paper swatch is just one of the more than 20 that Thomas Seawell used to make two of … Continue reading

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New Additions to the AP/RC: Bess Bigham Hubbard’s Brayer

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Bess Bigham Hubbard (1896-1977) is not particularly well known outside of West Texas even though her artistic career embraced the United States and Europe. Judging from her work and initiative she was an artist who had the “dis-ease”: an unquenchable … Continue reading

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Random Print of the Week #2976

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Frances Myers’ print, The Rescue, came to the Museum’s collection by way of the 11th annual ColorPrint USA exhibition that ran from late 1985 and early 1986. Myers, a recently retired University of Wisconsin professor and chair of printmaking and … Continue reading

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New Additions to the AP/RC: Eric Avery

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Eric Avery, MD, embraces humanity and printmaking with an enthusiasm that summons admiration, relief and a tinge of guilt. The vitality of the marks he excavates from his sheets of warmed linoleum scream for justice and embrace the marginalized. He … Continue reading

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(almost) Random Print of the Week #55

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  This week’s print is a mystery of sorts because internet searches yielded no additional information about Celso Lagar’s printmaking exploits. Lagar started as a sculptor in Spain, studying under Miguel Blay in Madrid. Probably after meeting Amedeo Modigliani (1885-1920) in … Continue reading

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Random Print of the Week #6514

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The compelling narrative and composition of Karin Broker‘s  photo-etching is created, at least in part, by collaging other prints from a variety of historical sources. This image recycling has a rich past, as exemplified in the work of Max Ernst and Hannah Höch. … Continue reading

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New Additons to the AP/RC: Clare Leighton

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The AP/RC directs most of its attention to collecting, cataloging, archiving and preserving prints by contemporary artists. In an attempt to expand and enrich contexts for this work, we also direct some of our resources toward collecting historical prints, primarily … Continue reading

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