This gallery contains 15 photos.
Like several other artists in the collection (Ken Hale, Brian Paulsen, Kathryn Polk and others), David DuBose invests his compositions with an inventory of motifs from a rich collection of personal iconography. Ladders, chairs, boats, playground equipment, hydrants, and other … Continue reading
This gallery contains 6 photos.
The AP/RC has all but one of the prints Abrams created at Tamarind Institute in Albuquerque, NM. We are missing Golden Boat on Bitter Lakes, 1988, done some sixteen years after she had completed a group of six lithographs at … Continue reading
This gallery contains 12 photos.
Liontas-Warren recently added twenty-seven prints and drawings to her AP/RC collection. One aspect of her donation of particular interest are works from the early 1980s. These works envelop and manipulate spatial illusions, moving backward and forward through arched passageways, flipping … Continue reading
This gallery contains 10 photos.
In the portfolio Stations, Vincent Valdez reinterprets the Stations of the Cross using a boxer as an analog for Jesus Christ. Valdez noted in 2006 that he was not thinking of the boxer as a religious icon or symbol, but … Continue reading
This gallery contains 40 photos.
Kenneth J. Hale recently donated 115 drawings that he completed between 1973 and 1996. These watercolor, gouache, graphite, charcoal, ink, and collage drawings often correspond to prints that he created during those same years. In many cases the iconography that Hale … Continue reading
This gallery contains 16 photos.
James T. Dormer’s recent donation to the AP/RC indicates his unmistakable commitment to the potentials of abstract expressionism. Trained first as a painter (MFA in 1964, Pennsylvania State University), and then as a printmaker (MA in 1969, University of Iowa), … Continue reading
This gallery contains 3 photos.
Katherine Liontas-Warren, one of the artists archived in the Artist Printmaker Research Collection, has two new videos (see below) featuring her printing lithographs from stones. The presentation of steps between printing and a print not only tend to humanize … Continue reading
This gallery contains 3 photos.
Merritt Mauzey (1897-1973) was a West Texas farmer whose printmaking interest came late in life. After a harsh defeat as a cotton sharecropper, Mauzey moved his family to Dallas to work in a cotton export office. While in Dallas Mauzey … Continue reading
This gallery contains 6 photos.
When presented with the possibility of participating in the AP/RC, Melanie Yazzie’s enthusiasm inspired awe. She intuitively and immediately grasped the possibilities of this collection. In the summer of 2011 we visited Melanie Yazzie and her husband, Clark Barker, at … Continue reading
This gallery contains 1 photo.
Bess Bigham Hubbard (1896-1977) is not particularly well known outside of West Texas even though her artistic career embraced the United States and Europe. Judging from her work and initiative she was an artist who had the “dis-ease”: an unquenchable … Continue reading
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Artist Printmaker/Photographer Research Collection ● AP/RC ● Art Division of the Museum of Texas Tech University 